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That any girls do emerge at the end of adolescence as masculine women is quite amazing ” Halberstam 6. As in the case of Ana Blandiana’s poem, some made a choice that later risked confusion or remorse.

In large measure, Romanian women poets have failed to exploit the heartache of familial subjugation and the gheharului affront done to their intelligence and poetic talents by those who demand that they write vrestetul men do But of course official ideology does not necessarily reflect the reality on the ground. Thanks for telling us about the problem. In the meantime, it seemed that revolution could be the perfect environment for a feminist intervention.

Volume 33 Issue 2 Decpp.

Fragment from an untitled poem. Western as well as some Eastern historians of Eastern Europe often assumes a collective political experience, and they just ghetzrului inaccurately assume a collective women’s experience. The forced binary choice of self, based on gender polarity, is the subject of a variety of testimonials dating from the Regime.

She opposes the eternal vow qua ritual with the rape qua ritual.

Her ultimate goal is to undo the concept of the feminine, to oust it from the symmetrical opposition with the masculine. Volume 54 Issue Julpp. But for Cassian, a communist sympathizer before the war, it was a continuation, a fertile territory that could make possible the formerly impossible. Some took comfort in the new model, while others struggled and strived within it, and others simply went back to the secure feminine tradition. Becoming a Woman in Communist Romania In contrast to most Western societies, the Romanian communist regime created a social setting that tried to discourage gender difference.


I created a pdf in livecycle using both fonts century gothic and arial, my pdf is being displayed as expected in adobe reader 9. Michael Impey criticizes her escapism harshly: Dela Iovan marked it as to-read Feb 01, Click here to sign up. Volume 16 Issue 4 Decpp. Volume 53 Issue 2 Maypp.

Crestetul ghetarului pdf file

The Communist Space of the Feminine: My Content 1 Recently viewed 1 Failed Emancipation? This Sex which is not one. The female-subject ultimately develops in a community where old practices recur even in a new socio- political setting. The structure of student enrollment in higher education institutions in selected countries according to types of study in Her identity becomes equivocal once she rejects a certain role or identity imposed by the community.

Constanța Buzea

In The Funeral Sermon — a short fiction published in — the dead father is described through the recollection of people present at the eulogy. In turn it ended up serving, at times unwillingly, the ends of the communist propaganda. Volume 19 Issue Decpp.

About the article Published Online: I looked around for a while, until I realized that he’s playing his favorite game that of torturing me, that my fear makes him feel good, powerful, it amuses him” Buzea He gives the example of poet Gabriela Melinescu’s “turbulent inner life”, which he calls nothing but “a flight from reality, a journey to a supra-reality, the exclusive domain of dream, reverie and the subconscious” Physical punishment included very frequent palm-beatings with a ghetaruluui, and a prescribed set ctestetul other psychological intimidations and public humiliations.


Refresh and try again. Scribd is the worlds largest social reading and publishing site. Yet, from a 21st century feminist perspective, Impey’s reading of Blandiana is harsh because his focus is overly socio-political.

Creştetul gheţarului by Constanţa Buzea

The notion of kitsch is a key term in identifying the ideological assumptions underlying the phenomenon of the “feminization” of mass culture…Mass culture is thus ghhetarului as simultaneously modern and regressive; the most sophisticated forms of technological development serve to encourage a slide into a “feminine irrationality. Her experience as Other within this community bears traces of gender differencing, though she fails to identify with either gender. She was an active part of the Bucharest bohemia, a circle of writers that experienced the social transformations with a greater sense of upheaval than the rest of the population at that time.

A Journal of Feminist Cultural Studies 4, Flo Rentin added it Jan 08,