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His father sought a place for him in the Milan Conservatorybut due to the Bottesini family’s lack of money, Bottesini needed a scholarship.
He also wrote The Garden of Oliveta devotional oratorio libretto by Joseph Bennettwhich was produced at the Norwich festival ineleven string quartets, a quintet for string quartet and double bass, and many works for the double bass, including two concertos for solo double bass, the Gran Duo Concertante originally for two double bottdsini, Passione Amorosa for two double basses, and numerous pieces for double bass and piano.
Rainy Day Relaxation Road Trip. Streams Videos All Posts. His solo works remain standard repertoire for accomplished double bassists to this day. Drinking Hanging Out In Love.
Bottesini: Fantasia “La Sonnambula” – Thomas Martin | Songs, Reviews, Credits | AllMusic
Fantasias ; For double bass, orchestra ; Scores featuring the double bass ; Scores featuring the orchestra ; For orchestra with soloists ; For double bass, piano arr ; Scores featuring the piano ; For 2 players. Retrieved from ” http: Booklet notes are in English only; song texts are given in Italian and English. Fantasia on ‘La sonnambula’ Bottesini, Giovanni Genre Categories Fantasias ; For double bass, orchestra ; Scores featuring the double bass ; Scores featuring the orchestra ; For orchestra with soloists ; For double bass, piano arr ; Scores featuring the piano ; For 2 players Related Works Based on La sonnambula by Bellini.
Here his first opera, Cristoforo Colombowas produced in This style was previously used solely by violinists, violists and cellists.
Giovanni Bottesini – Wikipedia
When conducting opera, Bottesini would frequently bring his double bass on stage during the intermission to play fantasies on the evening’s opera. This article includes a list of referencesrelated reading or external linksbut its sources remain unclear because it lacks inline citations.
Bottesini: Fantasia “La Sonnambula,” Ci Divide L’ocean / Martin, Halstead
Only two positions were available: It nearly met its end in the s as it sat backstage in a marionette theater in Milan. Its advantage is the variety of material, nicely arranged so as to be evocative of a concert spectacle of Bottesini ‘s time. Wikimedia Commons has media related to Giovanni Bottesini.
Contents 1 Performances 1. The music of Giovanni Bottesinithe “Paganini of the double bass,” has been btotesini to a multi-disc examination by the indefatigable Naxos label. From Wikipedia, the free encyclopedia.
Bottesini’s bass was said to be a unique instrument with a remarkable sound.
The Testore bass was later converted back to a four-stringed instrument, and then to a three. Bottesini was also one of the first performers to adopt the French-style bow grip for the double bass. He studied violin with Carlo Cogliati, and probably would have continued on this instrument except for a unique turn of events. Retrieved from ” https: Ci divide l’ocean track 9 is an attractive item still well known in Italy, and the presence of the songs serves to point up the vocal quality of Bottesini ‘s melodic lines, nicely set off against passages in which the instrument is growling or whistling at its registral extremes.
It was built by Carlo Antonio Testore in He prepared a successful audition for the double bass scholarship in a matter of weeks.
During these years he diversified the toils of conducting by repeated concert tours through Europe. Please help to improve this article by introducing more precise citations. Born in Bottesink, Lombardyhe was taught the rudiments of music by his father, an accomplished clarinetist and composer, at a young age and had played timpani in Crema with the Teatro Sociale before the age of eleven. Variations on a Scottish Air: This page was last edited on 21 Decemberat Bassist Thomas Martin is equal to the challenges Bottesini throws at him, and the studio sound is above average.
Bottesini died in Parma on 7 July After this he made frequent visits to England, and his extraordinary command of his unwieldy instrument gained him great popularity in London and the provinces. Only four years later, a surprisingly short time by the standards of the day, he left with a prize of francs for solo playing. Meditazione Aria di Bach: This money financed the acquisition of an instrument of Carlo Giuseppe Testoreand a globe-trotting career as “the Paganini of the Double Bass” was launched.