Find composition details, parts / movement information and albums that contain performances of Sequenza III, for voice on AllMusic. Luciano Berio. Sequenza . Sequenza III (author’s note). Sequenza III for voice (). The voice carries always an excess of connotations, whatever it is doing. From the grossest of noises. Berio described Sequenza III as being a 3 part invention built on elements of text, performance would be different, the directions on the score are very precise.

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Sequenza III (author’s note) | Centro Studi Luciano Berio – Luciano Berio’s Official Website

Streams Videos All Posts. Rainy Day Relaxation Road Trip. Sequenza III is a piece very much of its era, paralleling other experiments in vocal music and textual meaning such as Cage ‘s Aria and Ligeti ‘s Aventures From the grossest of noises to the most sequsnza of singing, the voice always means something, always refers beyond itself and creates a huge range of associations.

In the Voice Labyrinth. The voice carries always an excess of connotations, whatever it is doing. In Sequenza III I tried to assimilate many aspects of everyday vocal life, including sfore ones, without losing intermediate levels or indeed normal singing. Nel labirinto della voce. Sexy Trippy All Moods.


Is this the most bizarre and technically difficult piece of vocal music ever – Classic FM

AllMusic Featured Composition Noteworthy. For this reason Sequenza III can also be considered as a dramatic essay whose story, so to speak, is the relationship between the soloist and her own voice Sequenza III was written in for Cathy Berberian. AllMusic relies heavily on JavaScript. Please enable JavaScript in your browser to use the site fully.

Is this the most bizarre and technically difficult piece of vocal music ever written?

The text had to be homogeneous, in order to lend itself to a project that consisted essentially of exorcising the excessive connotations and composing them into musical units. Introspection Late Night Partying. Romantic Evening Sex All Themes. Seuenza contenuto di questa pagina richiede una nuova versione di Adobe Flash Player. The Great Works for Voice.

Genre Vocal Music Classical. Songs for Seven Centuries. In order to control such a wide range of vocal behaviour, I felt I had to break up the text in an apparently devastating way, so as to be able to recuperate fragments from it on different expressive planes, and to reshape them into units that were not discursive but musical. Sequdnza by Berberian’s extraordinary vocal prowess, Berio set out in Sequenza III to create a catalog of vocal gestures that encompassed the gamut of effects and techniques.


In Memoriam Cathy Berberian. Drinking Hanging Out In Love.

Although Berio and Berberian divorced in the mids, their musical collaboration continued into the s. One of Luciano Berio’s most fruitful sources of inspiration was his long collaboration with soprano Cathy Berberian – 83who was the sequejza wife as well as a primary exponent of his work throughout the s.

Sequenza III variously requires the performer to mutter under the breath, laugh, and sing in the conventional manner. Jazz Latin New Age.

Share on facebook twitter tumblr. The “text” consists of vocatives of little semantic value by Markus Kutter; meaning instead emerges via the soprano’s evocation of particular expressive formulas: Give me a few words for a woman to sing a truth allowing us to build a house without worrying before night comes.

Ricerca Search this site: Karlheinz Stockhausen, Luciano Berio.